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Neurosis are back, expanding their soundworlds and proving once more that they are among the greats.
"If you like your drums loud, your bass loud, and everything else loud then Petbrick's Liminal has got you covered."
"Spinning the record reveals harrowing atmospherics, a sense of grandiosity, devastating emotional weight and wrenching mood swings all woven around a diverse stanchion of...
"Here, the creation is one of a mood similar to that of the best cliff hanger that's already had the viewer/reader on the edge...
Songs for the Apocalypse sees Bieler stretching his artistic breadth by evoking a vast array of imaginative lenses, yet never deviating too far from...
The second half of The Ocean's Phanerozoic dualogy uses kaleidoscopic heaviness to relate the human condition to a 541-million-year cosmic tragedy.
The unwavering plaintive exquisiteness of No Wilderness Deep Enough makes it an essential journey.
By no means flawless, Alter Ego improves upon Темна Маса in every way, giving listeners a more expansive, developed, and sustained experience.
In The Company Of Serpent’s first album as a trio explores light as the prima materia—in other words, the core building block of existence....
Jarboe shows us that she's an artist without limitations and offers something altogether different from expectation and definition.
It’s surprising that jazz and metal haven’t come together more often. Both genres are rejected by the mainstream, value outside-the-box thinking and are generally...
Heart wrenching melodic post black metal, Latitudes bring it on another level on Part Island!
The world is going to hell in a gasoline-soaked wicker handbasket. But the dudes in Oozing Wound have got your back with a fucking...
Avant rock at its finest, Jarboe continues to embrace 35 years into her career.
Suspended in Reflections is more of a singular experience than a collection of songs, and its ability to bond heavy and light personas seamlessly...
Sludge metal is a genre that is, to say the least, overplayed. It's a genre that many might justifiably argue has been played out...
Originally released in 2003, The Beyond has always stood out in Cult of Luna’s discography as the most direct and immediate of their recordings.
This is the sort of band who understand the psychological power of doom and sludge and really play on that
"...contribute customarily down-picked thunder and chug that recall as much bright and sassy new school sludge as it does mid-tempo Bolt Thrower-inspired wrist-slitter riffs...
