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"After all, you really can't have too much good blackened death metal in your life."
"If you're a fan of this style and can dedicate your full attention to it, Lightless is guaranteed to deliver a transformative experience."
"For people who seek the dissonance and blistering riffs and rhythms of classic Demilich and Gorguts, this is the album for you."
"Lightwork aims for humbler and more approachable resonances. Even so, it's another monumentally meaningful and ambitious journey as only Townsend could produce."
Texas progsters Oceans of Slumber have released their most accessible album to date with Starlight and Ash.
"However, while accessible, Silence/Motion takes a much darker turn from previous works and merits multiple listens to fully encapsulate the power held in the...
If there’s one thing – well, one more thing – we can dump into the lap of the Covid-19 pandemic it’s the amplification of...
Sólstafir brings its massive arrangements and rustic grit to notably accessible territory, rounded off by some callbacks to a savage past.
The Ruins of the Fading Light just might be the best doom metal album of the year... if it's doom metal at all.
The symphonic/power metal makeup of Dawn of the Dragonstar is as rudimentary and rigid as you can envision.
This band sounds like Uncle Acid and Thin Lizzy had a kid. What's more to ask?
Fallujah has stripped itself of its fiery edge and produced a record more akin to an overwrought jam session than a raging death metal...
Post Metal, doom and apocalyptic realities all come together on the monumental new effort from the long dormant A Storm Of Light.
Skeletonwitch begins a brand new era with a proper introduction.
The Body & Full of Hell return for another out of this world collaboration in Ascending a Mountain Of Heavy Light
Uniquely expansive and demented this is the sort of noise meets metal hybrid that will keep you up at night.
Chamber of Horrors is definitely a milestone step up for a doom band on the rise
Another "no bullshit" effort by these Long Island veterans. But is "no bullshit" enough anymore?
Melodic rock/AOR may not be as overtly popular as it was when bands were selling millions, but the “scene” appears to be as strong...
