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Metal Injection's Guide to SXSW 2013
Posted on March 8th, 2013Last I looked the economy was still in the shitter, so the theme of this year's preface is doing SXSW on the (relative) cheap. The main misconception that I hear about SXSW – even among fellow Austinites – is that it costs a fortune to attend. Yes, it's true that if you plan on attending [...]
MUNICIPAL WASTE Featured In The New VANS Commercial
Posted on February 7th, 2013Municipal Waste, Vans shoes, a marching band, BMX, Skateboards, and a mobile party? It's not only the best idea for a parade ever, it's all part of the new Vans commercial you can see below.
CONQUERORS OF THE WORLD TOUR Recap: Septicflesh, Krisiun, Melechesh, Ex Deo, and Inquisition
Posted on October 25th, 2012So here I am back at Station 4 in St. Paul, waiting in line to be conquered by some of the finest metal bands that Greece, Brazil, Jerusalem, Canada Rome, and Colombia (via the US) have to offer. Three patch-vested teenagers who reek of B.O. are doing their best Beavis & Butthead impersonations behind me [...]
CD Review: THE CHARIOT – One Wing
Posted on August 29th, 2012The Chariot has always been good if you really appreciate the hardcore roots of certain facets of metal. They usually present a great raw product, as well as that awesome sense of chaos with the math elements involved. However, a good amount of press has been done on their latest album, One Wing and how [...]
CD Review: LIBERTEER Better To Die On Your Feet Than Live On Your Knees
Posted on February 3rd, 2012Taking his adage if not necessarily his credo from Emiliano Zapata, Matthew Widener (Cretin, Citizen) launches a new one man project in Liberteer, the flagship project - Better To Die On Your Feet Than Live On Your Knees – serving as a rallying cry of patriotism by way of civil disobedience.
Pure Fucking Armageddon: The Mayhem Tour Diary
Posted on January 17th, 2012When our photographer Aline Miladinovich had the opportunity to spend a few weeks bunking on Mayhem's tour bus, this past Fall, she could not turn down the opportunity. The following is her recounting of spending two weeks on the road with the band, with highlights including altercations with cops, Thanksgiving with black metal bands and [...]
Grim Kim's Top Ten Releases of 2011 That You've Never Heard Of
Posted on December 20th, 2011Every year, Rob asks me to contribute a year-end list to this fine establishment, and every year, I harsh everyone’s buzz by submitting the most putrid, willfully esoteric hodgepodge of sonic brutality I can conjure up. The following list spotlights some of the best underground releases of 2011; it’s been a good year for metal, [...]
CD Review: VORE – Gravehammer
Posted on December 16th, 2011Many of death metal's greatest moments are martial in nature. From Bolt Thrower's crushing cannonades to Amon Amarth's victorious marches, metal and war are inseparable companions. Vore capitalize on this synergy to great effect, plowing a potent path of aural avarice. Like the best articulations of aggression, Gravehammer has the power to physically propel a [...]
Grim Kim's Top 10 Releases of 2009 That You've Never Heard Of
Posted on December 21st, 2009by: "Grim" Kim Kelly As anyone who's read my stuff on here before has probably gleaned by now, I don't give a fuck about a lot of the bands my beloved bros here at Metal Injection (or most people, for that matter) are into. I don't care about Mastodon, I don't care about Baroness, I [...]
CD Review: HORSE THE BAND – A Natural Death
Posted on August 7th, 2007The most famous Nintendo-core band of all (and yes, I found a slew of underground bands playing Nintendo-core back when mp3.com was still cool) is back with another album. I have to admit, it’s hard to make those 8-bit sounds work in a band who’s sound is based around a video game system that came [...]
CD Review: Sauron – The Channeling Void
Posted on February 20th, 2007Metal bands often talk of war, but few actually sound like it. Amon Amarth and Bolt Thrower have built careers around war themes, yet sonically they only cover "marching off to battle." The machine gun parts of Metallica's "One" were controlled and clinical, which war is not; shootouts end in red and brown stains. The [...]


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